Showing posts with label beautiful forever. Show all posts
Showing posts with label beautiful forever. Show all posts

Wednesday, October 31, 2012

The Devil's Mark

A fine Victorian tale of  witchcraft, the desire for beauty, eternal youth, poisoning and jealousy...

Happy Halloween!

Wencelas Hollar,  Metropolitan Museum of Art

On the morning of August the first, sixteen hundred and fourteen, the village of Hambledon was the scene of much lively bustle, which rallied chiefly round the dwelling of Master Simon, farrier, blacksmith, and wheelwright for the township. Master Simon's only daughter Rose —the White Rose of Hambledon, the folks called her—was going to be married that day to her cousin, Richard Nicholl, who had come to Hambledon about a year before to work at the forge for his kinsman, whoso strength was declining, and had fallen in love at once with the pretty and warm-hearted Rose. They were a very well-matched couple of young people, for if she was as blooming and sweet as her name, Richard was the goodliest man in that parish, and many another. She was nineteen, and he was twenty-six—both of them in the full glow and excellence of youth.

The forge fire was out that morning, and if any traveller's horse had chosen to cast a shoe near the village, he must have gone a couple of miles farther, to Wistlebank, before the damage could have been repaired. In Master Simon's cottage were collected half the women of the place, but Rose's chamber was the favourite point, for there the young maiden's toilet was being accomplished by half a dozen of her particular friends. We ought not to go into that mysterious sanctum, I know; but for the telling of our story it is necessary that we should look through the doorway and over the heads of the crowding gossips, and listen also to the remarks of the handmaidens engaged in their agreeable task. The costume of those days was not remarkable either for its picturesqueness or its grace; but Rose's pretty shape and sweet face were proof against its disfigurements. She stood in the centre of the room, fair and blushing, in a petticoat of remarkable stiifness and a bodice of preternatural length, her gold-coloured hair rolled up elaborately, and a highly-starched ruff lying close at hand to imprison her round white throat.

Wencelas Hollar,  Metropolitan Museum of Art
There was not one of the half-dozen friends so beautiful as Rose; but one of them—the chief it seemed, from her being the putter on of the bows and decorative paraphernalia of the dress— had a singular countenance, cold, repellent, and stone-grey. The blackness of her eyebrows, which met and were depressed over her eyes, gave her a furtive, stealthy expression, and her narrow scarlet lips, while they indicated a sensual disposition, showed also one of cruelty and vindictiveness. She was older than most of the girls, but still quite young, and had pretensions to beauty which she was more ready to assert than others were to allow. Everybody, however, Rose included, treated her with a certain respect, for she was waiting-woman to my lady the wife of Sir Roger Bedinfield, at Hambledon Hall. Her name was Mistress Gilbert, and she was reputed to possess philters and love-charms, which in those good old times were held in high repute, not only amongst silly maidens, but even amongst wise and discreet matrons. One charm, however, Mistress Gilbert did not possess—that charm which would have charmed Richard Nicholl's heart out of his bosom. Her disappointed hopes had been a sly theme of talk many a time in the village, and even Rose herself had shared in it . Possibly that was the reason why, when Mistress Gilbert's chilly hands glided so stealthily about her person, a slight shiver kept running over her flesh.

"You are cold, Rose," said the waiting-woman; "shut the window, some of you. You shudder all over when you are touched."

"It can't be that her enemy is walking over the place where her grave is to be," remarked a careless young body who looked straight at Mistress Gilbert, and then turned red under the cold scrutiny that she received from her cruel eyes.

"Rose is too good to have an enemy. Every one loves her," said the waiting-woman, slowly: directly she had spoken she approached her lips to the white polished shoulder, and blew softly at a tiny brown mark, and then brushed it with her hand carelessly.

"You will have to blow a long time before you blow away that little mole, Mistress Gilbert," laughed Rose: "I was born with it."

"I am short-sighted this morning—I mistook it for a fly:" and the waiting-woman began to arrange the starched ruff.

Rose would have been glad to dispense with the honour of Mistress Gilbert's company at her marriage, because Richard Nicholl did not like her, and also because the waiting-woman's aspirations after the handsome young smith offended her feminine prejudices; but Mistress Gilbert invited herself for the purpose of dressing the bride, and even lent her taste and skill in composing the attire to be worn on the occasion, so there was no evading her cold, uncomfortable presence. When the ceremony was over in the chamber, and Rose's beauty was eclipsed as far as it could be by her stiff clothing, she was ushered into the living-room, where were her father, Richard as fine as herself, and the male friends of the family.

Wencelas Hollar, Metropolitan Museum of Art 

Richard received her with a fine honest blush, which was more softly reflected on her own face; and, after a short interval, the whole company fell into order, two and two, to walk across the green to church, where Parson Phillips was waiting to marry the young pair. My Lady Bedinfield and two of her daughters had thought right to honour the ceremony by coming to look on from the elevation of the family pew, and afterwards to praise the rustic grace of the White Rose of Hambledon. Mistress Lucy Bedinfield and her sister Elizabeth would have given half their rich clothing for a tint out of her cheeks: they were but sickly young gentlewomen, on whose complexions Mistress Gilbert's various washes had no effect at all, unless it were to make them deader and duller than even Nature —who coloured them in one of her penurious, pallid moods—had ever intended.

When Rose walked out of church, her pretty blue eyes downcast, and holding Richard's arm, the folks inside blessed her softly as became the place, and those outside gave them a cheer, after which the bells rang out a famous wedding peal. Mistress Gilbert's clayey visage looked colder and more clayey than ever as they disappeared. No body heeded her, and she did not choose to follow the returning party to Master Simon's house; but when my Lady Bedinfield, the rabble being dispersed, issued stately from the family pew with her daughters behind her, she was graciously told that she might walk with them to the Hall. Perhaps my lady loved a little gossip as much as if she were a mere common person; and, if so, her waiting-woman was just the person to gratify her, not being in the least scrupulous that her intelligence should be fact rather than fiction.

"They are a pretty pair of lovers, I'm sure, and Rose's dress was uncommon gay," said Lady Bedinfield, who had a mother's heart.

"Her cheek could not have looked fresher if it had been painted. Gilbert, your new wash for the face is quite useless," querulously observed Mistress Elizabeth: "I am sure it dries the skin."

"Natural roses have the finest bloom," replied Lady Bedinfield, who had been a beauty herself, and was still a handsome woman. She sometimes had a little spite against her daughters for being so unmanageably plain.

"Rose Nicholl's bloom looks natural," said Mistress Gilbert, with an air of sarcastic respect; "it looks even brighter than nature."

"You are jealous, Gilbert; we know all about the young suitor's indifference to black eyes when blue ones are willing to shine on him," returned Lady Bedinfield, with a jolly laugh—she was above caring for her waiting-woman's feelings, and, besides, she had just been touched and pleased by the pretty scene in the church. A marriage always refreshed her, and made her think of her own youth.
Mistress Gilbert's face blushed lividly. That taunt was not needed to increase the deadly hatred she had conceived for Richard and his young wife. She dropped behind and would not answer when spoken to. Lady Bedinfield called to her just as they were entering the house, and said, in the same tone of mockery,—

"If Rose's beauty is all paint, why don't you put it on too, Gilbert?"

"I did not say it was all paint, my lady. I wish it were. It would be the less harm," replied the waiting-woman.

"If it is neither nature nor paint, what is it?" asked Lady Bedinfield.

"It is devil's beauty. I saw his mark on her neck to-day," said Mistress Gilbert.

Lady Bedinfield laughed again, but this time in a less loud and assured manner. Scarcely any one in these very good old times was altogether free from the black plague-spot of superstition, and she was neither better nor wiser than her age. She entered her house in silence, and Mistress Gilbert, pacing her room that night vehemently, as a caged wild beast newly caught, rejoiced to think that she had dropped on her rival's fair fame the first deadly drop of that corrosive poison which she hoped ere long to see blacken and blast it utterly.

II.

Wencelas Hollar, Metropolitan Museum of Art
The apartments of the two sisters at Hambledon Hall adjoined, and Mistress Gilbert passed from one to the other attending on the young ladies. There was company that day; especially, there was one young gallant named Sir Henry Cavendish, whom either of the girls would have been proud to captivate; for, not only was he handsome, brave, and accomplished, but he was also wealthy. Mistress Lucy stood before her mirror, fully dressed; but there was dissatisfaction on her countenance,—she had small, delicate features, but her skin was cloudy, her eyes were lacking in brilliance. Mistress Elizabeth was even worse favoured; for her visage was long and lean as well as colourless, and her eyes were not so perfectly set as they might have been. The waiting-woman had suffered something from their tongues that morning, as her chafed and hurried manner betrayed.

"You will soon be of no more use to us than a mole, Gilbert. Can you not see how thick my complexion is to-day?" said Mistress Lucy, pointing at her own reflection in the glass; she always laid the blame of Nature's defects on her abigail.

"Yes, Mistress Lucy, I see—" she hesitated a minute, opened the door to look into the passage, and then whispered, hurriedly, "I have a powder that I got from Mistress Turner in London; but if I let you have some, my lady must never know."

"Ah, good Gilbert, I will not tell her;—speak low that Elizabeth may not hear. How does this powder affect one?"

"It preserves youth, makes the skin smooth, and gives it a bloom like a little child's; but it is highly dangerous."

"How dangerous? Is it a poison?"

Mistress Elizabeth, overhearing the mysterious whispering, crept stealthily behind her door, watched through a chink, and listened. The arrival of Sir Henry Cavendish had sown jealousy between the two sisters.

"It is a mineral poison; but with care and in very small quantities, it is safe. In a week you would be as fair as Rose Nicholl. Will you try it? or do you fear the risk?"

"Oh! I will try it. I would try anything to have a face like the young smith's wife; but promise me not to let Elizabeth have any."

Mistress Gilbert gave the required pledge, and then stole away to her own chamber to fetch the powder. The watcher waited for her return impatiently. When Gilbert re-entered the room, she brought in her hand a small box of ebony, which she opened with a key attached to a chain hidden under her ruff. Elizabeth listened breathlessly; but she could not quite catch all that was said. But she saw a small packet given to her sister, and by her, after a portion of its contents had been extracted for immediate use, deposited in her jewel-box. How that taken out was used, she could not see; for Mistress Gilbert carried it to where stood the ewer and basin, and thither Mistress Lucy went to apply it; but she heard the waiting-woman say, "It will sink— mingle it well with water;" so she conjectured that it was something to be swallowed, and determined that she herself would soon have a face as fair as Rose, the smith's wife, if it only depended on taking the powder hidden in the jewel-box.

The application of the powder made no perceptible improvement in Mistress Lucy's face that day, and Sir Henry Cavendish was by no means charmed out of his senses; but, in the course of the week, there was certainly a change for the better, and Mistress Elizabeth—who had not yet found an opportunity to lay her hands upon any of the powder—became more and more eager to profit by its beautifying effects. One evening Mistress Lucy left her chain with the jewel-box key fastened to it on her table, and her sister, who had never ceased to watch, availed herself of this chance to possess herself of a good portion of what remained of the powder. She immediately mixed a little of it with water, and drank it.

Very soon she was seized with pain, nausea, and sickness; but not so severely as to enforce greater caution in using the powder, for she repeated the dose daily. She suffered, but her skin acquired a clearness which it had never worn before, and this would have reconciled her to anything short of martyrdom. Her store being exhausted, and the key falling no more into her possession, she was obliged for a time to desist from her beguiling experiments. Mistress Lucy, however, still steadily continued her applications, —she used the water in which the powder was dissolved as a cosmetic,—but, though her complexion became clear, it did not gain the much-coveted bloom of the village smith's wife. Both the sisters would occasionally visit her in her cottage, and as Rose's beauty was on the blush always when they so honoured her, they went away each time more emulous and more envious than before. At last Mistress Gilbert's ebony box was empty, and no more of the powder could be obtained, until Sir Roger Bedinfield went up to London with his family, when the celebrated Mistress Turner might be induced to part with more at a price something like twice its weight in gold. Mistress Lucy was very impatient of this delay, but at length, though Mistress Turner was then in trouble, for the murder of Sir Thomas Overbury in the Tower, a supply was obtained from another person, and the beautifying discipline was recommenced by the elder sister at once. 

Whether some more deadly ingredient was now mingled with it, or it was unskilfully prepared, or, what is still more probable, Mistress Lucy used it incautiously, and too often, it now began to work on the muscles of the face, and the miserable girl awoke one  morning with her mouth drawn on one side, and frightfully disfigured. Mistress Gilbert, terrified at her appearance, and rightly attributing it to the cosmetic, to shield herself from all suspicion, immediately exclaimed that her young lady was bewitched; and, as all new or ill-understood diseases were, in these good old times, laid to supernatural influences, this was readily believed. But, bewitched or poisoned, poor young Mistress Lucy's days of vanity were past, and she would never charm Sir Henry Cavendish, or any gay gallant, with her face again. Mistress Elizabeth was so much shocked and grieved for some days, that she forgot to profit by all the opportunities that, at this crisis, fell in her way for appropriating the powder; and, when she recovered her spirits and looked for it in the jewel-box, she found that it had been removed. At first she thought of frightening Mistress Gilbert into giving her some by threatening to tell Lady Bedinfield; but caution interposed to remind her how many petty secrets of hers the waiting-woman could employ against her if so disposed. Therefore, she determined to wait until they returned in spring to
Hambledon, when she would endeavour to get at the precious store kept in the ebony box itself.

III.

Lady Bedinfield devoted herself like a good mother to her afflicted daughter; and, when they retired to their country-house—where the only amusements were such as her health and spirits' were far too broken to enjoy—they might be seen almost daily wandering through the shrubberies together, or sitting under the trees. Poor Mistress Lucy could not bear to be seen by the most intimate friends, or even by the villagers; and the idea that she had been bewitched, gained ground fast.

Mistress Gilbert was one of those patient haters, who never balk themselves of their revenge by rushing upon it prematurely. To screen her own malpractices, she had said at first, that Mistress Lucy was bewitched; but it did not occur to her then to turn this to the furtherance of her schemes against Rose Nicholl. One lovely June evening, however, in passing by the smith's cottage, she saw a gathering of the village goodies, who told her that the White Rose, her detested rival, had just got a little son; and, a week or two later, she saw the young mother herself standing at her open window with the child in her arms, and the stalwart smith leaning in, making gentle paternal advances, to her great and laughing delight. Mistress Gilbert's heart felt like a lump of molten lead in her bosom at this picture. She stopped and looked at it wickedly over the hedge for several minutes, and then rushed rapidly homewards. Her plan was maturing.

A dreadful scene greeted her when she arrived: the house was in an uproar. Everybody running hither and thither, calling for this thing and that, in frantic haste. Mistress Elizabeth was ill; she was dying—dying in agonies; her shrieks coold be heard half over the house.

"She is poisoned," said Lady Bedinfield, who was shuddering and weeping by her daughter's writhing form; but Mistress Gilbert, bending over the bed her ash-grey face, said,—

"No, I have seen these convulsions before; she is bewitched, like Mistress Lucy."

Every one in the room paused aghast with their remedies,  Lady Bedinfield said,—

"Who can pursue our family with such a relentless hatred? Whom have we any of us injured? There is worthy Parson Phillips coming to our aid; let him be admitted."

While the minister recited his prayers, Mistress Elizabeth died.

"She has been poisoned," he also observed; but the doctor, not being able to name the drug that had killed her, solemnly countenanced Mistress Gilbert's idea, that she had been bewitched. The waiting-woman was not long in discovering where Mistress Elizabeth had found her fatal draught. Advantage had been taken of her absence to break open the ebony box and abstract the cosmetic powder. Too large an internal dose had done its work for ever.

From the time of her sister's death, poor Mistress Lucy's health also began fast to decline. She became subject to long fits of melancholy depression, and more than ever evaded seeing strangers. Still she would go out of doors, and her favourite haunt was a sunny knoll in the plantations, where she would sit for hours with either her mother or Mistress Gilbert. Any sudden noise, even the flight of a bird from one branch to another, would cause her to tremble convulsively, as if with overwhelming dread; for the poor girl had heard it said that she was bewitched, and the idea worked in her imagination until she believed it. It happened one morning while in the wood, as usual, that Rose Nicholl—with her baby in her arms on her way to the Hall, to show him to Lady Bedinfield, as she had received commands to do—passed within sight of Mistress Lucy and the waiting-woman. Rose was singing as blithely as any bird, and never noticed the two under the trees; but Mistress Lucy began to shudder and cry out.

"Is it Rose Nicholl that has bewitched you, Mistress Lucy?" asked Mistress Gilbert, earnestly.

"Yes, yes," replied the nervous creature, following the retreating figure with wild eyes.

"I always thought so! I saw the devil's mark upon her neck the day she was married," cried the waiting-woman, triumphantly.

When they returned home, Mistress Lucy told her mother that all her deformity and all her present illness had been inflicted upon her by the malice of Rose Nicholl, the smith's wife, and that the sight of her threw her into convulsions such as those in which her sister died. Lady Bedinfield was troubled, but suspicious. She consulted her husband, who was remarkable for anything rather than sagacity, and proposed to have Rose tried by one of the common prickers who made it their business to go from place to place discovering witches and bringing them to punishment.

Sir Roger consented, and Mistress Gilbert having undertaken to produce a witch-finder, innocent, unconscious Rose was indicated to him as a suspected person; and, full of the importance of his terrible office, the pricker went to the smith's house, when he was at his forge. Master Simon also was away from home, and Rose, with her baby asleep in her lap, sat sewing diligently, like the good housewife and housemother that she was. The pricker obtained an entrance into the cottage by pleading that he had walked far, and was tired; so the unsuspicious Rose bade him rest himself, and gave him some refreshment. Presently two of the village women sauntered in, ostensibly to see the baby, but in reality, by preconcert with the pricker, to help in the examination.

They all began to talk, and presently led the conversation round to the subject of witches and warlocks.

Martthew Hopkins, Witch Finder
NYPL Digital Library
 There had been many hundreds of wicked and cruel executions in England during recent years for the crime of witchcraft, and Rose had heard of them like others: indeed, a witch had been swum and drowned in Hambledon millpond within her own memory. She expressed great commiseration for this old woman, and said that she believed many unfortunates were the victims of the malice of their enemies, rather than real criminals, as was pretended. The pricker took umbrage at this remark, perhaps because Mistress Gilbert's bribe lay heavy on his conscience at the moment; and, thinking to daunt Rose, he exclaimed that she herself was a notorious witch and evil-liver, and he was there to prove it.

 Rose started up; and when the two women approached to lay hold on her, she broke from them, and rushed out of the door shrieking,— "Richard, Richard, help me!"

The hammer was not going in the forge just then, and the smith heard her. Clutching a stout cudgel, he ran to the spot; and, while the two assistants decamped, he seized the pricker in a grasp like a vice, and, without waiting for explanation, proceeded to belabour him so soundly that the miserable official was likely to have a skin full of sorely-aching bones for a month to come.

When her husband paused, Rose said, bitterly weeping,—

"He is a witch-finder, Richard, and declares that I am a witch. He came here to prove it . Oh, where, where shall we fly? You know, dear husband, that I am your own true wife, and no wicked witch. Don't you, love?"

She clung to him beseechingly.

In those good old times there were few ties of blood or of affection that did not break under this terrible accusation; but the smith loved his Rose dearly; and having an intense antipathy to the manipulations of such odious gentry as the pricker, his wrath was so far increased by the idea that they might have been exercised on his young wife, as to find it indispensable to beat him again, and then to throttle him until he confessed that he had received a bribe from Mistress Gilbert to accuse Rose.

needles used to test for the devil's mark,
 image source unknown
A second shaking made him give up the instrument with which he proposed to prick for the devil's mark, which all witches bore on their persons. This instrument was a steel needle with a hollow handle, into which it retired under very slight pressure, coming out again when that pressure was withdrawn, so that though it appeared to run into, the flesh, it in reality did not even break the skin; as the devil's mark could be pricked, as was asserted, without the witch feeling any pain, and without blood following the withdrawal of the needle. This ingenious piece of mechanism answered every malicious purpose, and, with its lying witness, did to death many a poor innocent wretch, who, after conviction, was tortured into confessing every enormity that the diseased imaginations of wicked or superstitious examiners could devise. The smith was something of a mechanician himself, and immediately discovered the secret of the instrument, which he determined to carry to Parson Phillips.

As luck would have it, the minister coming across the green at the moment, he hailed him to come in, and related what had been threatened against Rose.

"These common prickers are common knaves; I hope you have ." the parson glanced significantly at the cudgel, as much as to add, " used it well!"

The smith nodded affirmatively.

The pricker was trying to sneak off, but Richard stopped him, and said, No, not until he had been before Sir Richard Bedinfield and had a judicial whipping as a cheat, and then a ducking by the village folk, who would be glad to give him one when they saw how very readily they might, any, or all of them, be proved witches or wizards by the painless trial of the pricking instrument.

A good number of the rustics had gathered at a respectful distance from the cottage, waiting for the issue of what was going on there, the news of which the two women had taken pains to spread; and when they saw the official dragged out by the smith, Parson Phillips following, and Rose looking out from the doorway, a few of them felt glad that the pretty white Rose of their village had escaped the dangerous trial; but when the smith came among them, and exhibited the trick of the witchfinder's needle, nothing would satisfy them except the summary administration of justice there and then; so the bruised wretch was hauled off to the mill-pond, ducked until he was half dead, and then driven out of the village with hoots and execrations.

Mistress Gilbert was foiled of her revenge for the present; but she said, with a deadly tenacity,—

"Though he was not a true witchfinder, that does not make Rose Nicholl less a witch."

And the village began to look coldly on the smith's wife, and to avoid passing near her door, lest she should blight them and theirs with her evil eye.

IV.

"Sorceries" NYPL Digital Library
The very name of witch was fatal in those good old times. No one could long bear it with impunity; and this poor Rose well knew. To see herself hated and feared poisoned her life with a dread that the general feeling might extend itself to her husband, her father, and her child. Sometimes she wished she were dead, as the only way of escape from the indignities and cruelties which she had heard of as inflicted upon other women, probably as innocent of witchcraft as herself.

Six months after the visit of the pricker, Mistress Lucy Bedinfield died; and the old report that she had been bewitched was revived, with the addition that it was Rose Nicholl, and Rose Nicholl only, who had laid upon her the spells that had destroyed her.

Every calamity that happened in the village was now laid to the charge of the smith's wife. If an old person died from age, Rose had bewitched him or her; if a baby perished from weakness, Rose had bewitched it; if a crop failed, Rose had bewitched the seed; if the corn, when heavy in the ear, was laid by violent rain, Rose had raised the storm; if a horse cast a shoe, Rose had bewitched the nails, or the hammer, or the anvil. Rose might look as innocent and pretty. as she would, but popular superstition declared her to be a witch, and popular persecution used her as one.

Mistress Gilbert scarcely found her schemes march so quickly as she desired; but an unexpected aid came to her from another quarter. A poor old woman at Wistlebank was tried for witchcraft, and, under her tortures, she gave a list of names of persons whom she said she had herself seen at the Sabbath, or general meeting of witches and warlocks. She did not at first mention Rose Nicholl; but the name being suggested to her, she also avowed that she had seen her, and no later ago than the previous Friday night 

witch, NYPL Digital Library
All the accused were immediately arrested, and carried before Sir Roger Bedinfield, and two other magistrates as sapient as himself. In vain did Richard Nicholl swear that at the time his wife was stated to be present at the horrible mysteries of the witches' Sabbath, she was sleeping comfortably at his side; he was told that the devil deluded him by putting a semblance of her in her place, that he might not discover her nocturnal absences. The poor smith was nearly maddened; but what answer could a man make to magistrates, who were so deeply in the fiend's confidence as to know every stratagem he employed; Richard was persuaded of his wife's innocence, but he could not prevail on others to believe in it; and though Parson Phillips protested against the confessions of an old woman crazed by pain being received as evidence against Rose and her so-called accomplices, no attention was paid to his remonstrance, and they were all confined until the day when they were to be tried.

These must have been strange times that folks now call "good old times;" when a man who loved his wife more fondly than anything else in the world, could ejaculate fervently, "Thank God!" when he was told that she was dead. Two days after poor Rose was thrown into prison, Parson Phillips brought these tidings to the smith, and said that he had leave to bring her body home and give her Christian burial. Terrified at the accusation brought against her, deprived of her child and her husband, the young creature was seized with fever, and died in her prison—by God's mercy both the parson and Richard thought, for she thereby escaped the doom of her companions in misfortune, against whose names stands in the criminal records of the time, the fatal words,—" convict and brynt."

The smith brought his poor white Rose home on the third anniversary of their marriage; and the next day she was interred, with all the rites of the church, amidst the too late repentance of her persecutors. Master Simon and Richard stood by the grave in angry sorrow, and directly opposite them, with her wicked eyes fixed on the smith's face, was Mistress Gilbert. As he was moving away, at last their glances met; the waiting-woman laughed triumphantly, and pointed downwards at the coffin with a significant air. Richard looked at her steadily for a moment, and then said, in a deep, concentrated tone, which the hearers recalled afterwards as a tone of prophecy,—

"Ay, Mistress Gilbert, there lies the body of my poor Rose that you hated, and her spirit is safe in heaven. You may laugh now, but you shall not laugh long. The day is near when your body shall raise a lowe that shall be seen from Wistlebank to Carnridge, and your spirit shall skirl to be heard from Hecklestone for three miles round."

Mistress Gilbert only laughed the louder as she marched away.

But Richard Nicholl's words came true.

The Hecklestone was a tall block of granite, set up in Hambledon park, on an elevation about a hundred yards from the house. So long as it remained, there were two marks upon the top, which tradition said were made by the burning hands of Mistress Gilbert; she was set on fire accidentally, and, flying from the house, in her agony she ran up to Hocklestone, screaming, and clung to it, blazing all over, until the light was seen "from Wistlebank to Carnridge, and her cries were heard for three miles round." People ran to her help, but the story goes that the fire resisted every effort to put it out. 'Mistress Gilbert was burnt to ashes; and wherever the wind scattered them, says tradition, the ground was for ever after barren.
Witch Burning, NYPL Digital Library

Story: "The Devil's Mark", by Harriet Parr, 1860


             http://digitalgallery.nypl.org/


Wednesday, September 19, 2012

The Patent Mammary Elevator

From a book entitled "The Beautiful Forever Tales", published 1869, by an anonymous author. This is yet another cautionary tale on the tragedy that awaits those who that involve themselves with so mundane and hopeless a pursuit as the pursuit of beauty. Paint, powder and so on were not so much an aesthetic choice in those days as a moral choice and tales such as this were common in reaction to the increased popularity and availability of cosmetics, falsies and the like.  The truly lovely woman concerned herself with devotion to God, husband, children and home, not with vulgar vanity. Some of these moral tales can be quite ponderous and heavy-handed. This one is quite funny, in my opinion.

The title, Beautiful Forever also refers to the name of a booklet published by the infamous Madame Rachel of the time.

"The science, secret, and art of attaining, improving, and preserving personal beauty, graceful development of the body, clear, soft, and lustrous skin, bright and sparkling eyes, luxuriant and glossy hair, profusion of whiskers and moustaches, sound, white, and regular teeth, by rational and hygienic means; likewise of removing or concealing deformities and blemishes of all kinds, including wrinkles, freckles, moles, wens, scars, discolorations, defective limbs, bust, etc., thus rendering the naturally plain person lovely and attractive, and preserving to old age the charms and vivacity of youth. For particulars apply to Madame Cleopatra Pompadour, New Bond Street."

Mrs. Jocund laid down the "Daily Telegraph" in a flutter of delight, while a radiant vision rose up before her—herself restored to youth and beauty once more by the rejuvenating, improving, preserving, and developing process of Madam Cleopatra Pompadour.

She cut the paragraph out, carefully pasted it on a card, called for her boots, put money in her purse, ordered a cab, and in an incredibly short space of time was in New Bond Street.

"What am I to do for you, madam," asked Cleopatra, smiling blandly, and thereby exposing a magnificent set of teeth, the beauty of which spoke volumes in favour of the Pompadour secret, as did also the clear, soft, and lustrous skin, the bright and sparkling eyes, the luxuriant and glossy hair, and the graceful development of body possessed by this remarkable woman.

Mrs. Jocund replied that she had called relative to an advertisement which had appeared in that day's "Telegraph," and tendered the paragraph alluded to.


Cleopatra bowed, motioned her visitor to a couch, and taking a place beside her, said: "To make you beautiful by rational and hygienic means: to give you a graceful development of body, clear, soft, and lustrous skin, bright and sparkling eyes, luxuriant and glossy hair, sound, white, and regular teeth—to endow you with charms which shall all be real—to make you Beautiful Forever, will require time, the change will be gradual, and the process is expensive— very expensive."

The patient's countenance fell, upon which the teeth gleamed again, and the lovely lips continued:

"But in the meantime—while the process is going on—I can make you beautiful by art—supply you with artificial charms of every kind and description: pads, for giving a graceful development to the body; belladonna, for making the eyes bright and sparkling; pearl powder, for rendering the skin clear, soft, and lustrous; rouge, for creating a ravishing blush; dye and interpolating tresses, for causing the hair to seem luxuriant and glossy; the finest ivory masticators, to represent sound, white, and regular teeth, and all these charms are so artfully constructed, and look so natural when on, as to defy detection. I can fill up your wrinkles with enamel, paint out your freckles, and remove or conceal any other deformities or blemishes you may have: moles, wens, scars, discolorations, defective limbs, or bust"

She then conducted the customer through her extensive warehouse, and succeeded in disposing of several articles, boxes of pearl powder, rouge, false tresses, and such like.
1900 cartoon, Jan Duch, Wiki Commons


THE PATENT MAMMARY ELEVATOR

At last they came to a glass case under which reposed a false bosom.

"That," said Cleopatra, "is the newest thing out. We call it the Patent Mammary Elevator, from mamma the Latin for breast. We sell great numbers of them. This one has been purchased by the Duchess of F------- y."

"How beautiful? What a marvel of art! And so natural. What is it made of?"


McClure's Magazine, 1900
"Of a thin skin of caoutouche, or India Rubber, filled with air. It is furnished with a little valve by which the size of the bosom can be regulated to suit individual taste—by blowing into the pipe you can increase the inflation of the bosom, making it larger without destroying its just proportions, and by a reverse process you can make it smaller."

"How ingenious. And, dear me, how light it is—why it is not heavier than a child's balloon. This one, you say, has been purchased by the Duchess of F------ y. Could you have another made for me exactly the same?"


"Egypt Awakening"', Francis Edwin
Elwell, Wiki Commons
THE BOSOM

The answer was favorable, and that evening the bosom was sent home.

The happy purchaser spent many hours each day admiring it, trying it on, and endeavouring to ascertain the exact dimensions which would be most becoming. Not being able to make up her mind as to what were the true dimensions of beauty, or perfect symmetry, she started off to the Exhibition to examine the works of eminent sculptors. The result was that she became more puzzled than ever, for some of the marble nymphs were quite flat and others remarkable for their mammary elevation. While pondering on the strange diversity of tastes exhibited by the artists, and scrutinizing the countenances of the visitors, to gather their opinion on the relative merits of delicacy of proportion and robustness, she suddenly remembered having left the key of the door in the press in which her mammary elevator was locked up. Imagine her consternation! Picture her horror!

STOLEN


Delineator Magazine, 1905
The maid servant, being of a prying disposition, is certain to open the press, and to be frightened into fits on discovering a severed human member reposing on the topmost shelf. What follows?—believing the remainder of the body to be hidden somewhere—perhaps uuder the bed or up the chimney—confident that a terrible crime has been perpetrated— the girl shrieks "murder"—the alarmed household rush to her assistance—the delicate secret transpires, and the result is that the unfortunate owner of the bosom is driven out of society by ridicule.

Upon reaching home Mrs. Jocund rushed up stairs to her room—her worst anticipations were realised—her bosomthe bosom was gone!

The owner of the stolen property sat down upon the bed and cried. The bosom was to have appeared in public at the morrow's cavalry ball, and now all the pleasing anticipations of triumph were doomed to disappointment—of the brilliant castle which she had constructed on the mammary elevation not a vestige was left. The charm had cost twenty pounds, and another twenty could not be commanded.

Who could have taken it? One of the servants of course. But which of them?

TRIUMPHANT APPEARANCE


The servants being summoned, were told that a certain article, which for reasons of a private nature, would not be named, had been taken out of a certain press, that a sovereign would be left upon the spot from which it had been removed, and that if the person who had taken the article would restore it, they might keep the money as a reward, and no questions asked. It was added that the person who had taken the article was known, and if it was not restored, would be dismissed.

The servants all loudly and indignantly disclaimed the imputed theft, observing that they had nothing to live by but their characters. The lady's maid wanted to know if it was she that was suspected. The housemaid made a similar demand.

Mrs. Jocund replied that she did not mean to impeach the honesty of the person she suspected, the article was doubtless taken as a joke. She hoped to see it back in its place that evening, and then there would be an end of the matter.

That evening the bosom, in some unaccountable way, found its way back to the shelf from which it had been taken, and the owner retired to rest with a light heart, to dream of coming triumphs.


The American Monthly Review of Reviews, 1901


"WHAT A MAGNIFICENT BUST!"

On the following night the bosom made it's appearance at the cavalry ball, and became the cynosure of all eyes, the envy of all the women, and the admiration of all the men. A murmur ran round the room, "What a magnificent bust!" In a moment the card of the bosom was full, and delighted were those who had succeeded in snapping it up.

THE BOSOM SWELLS

At first Mrs. J. felt rather afraid of detection, and trembled as she caught the piercing glances of her rivals scrutinising the graceful orbs as they rose and fell with respiration; but after a little time, finding the aforesaid glances continued to gleam with envy untinged with suspicion, she gathered confidence, and commenced to enjoy herself thoroughly. The rooms had not filled when, upon looking down, she discovered, with some little alarm, that the bosom had grown sensibly since her arrival. Yes—there could be no doubt about the matter—it had grown larger; but its increased robustness only added to its beauty. In the excitement of the dance the circumstance was forgotten. Shortly after she went out to flirt and cool herself upon the stairs, where she remained for upwards of an hour, at the end of which time the bosom had assumed its original dimensions. Upon returning to the dancing room she found the apartment had become crowded during her absence, and insufferably hot, but being an inveterate disciple of Terpsichore, she did not hesitate to elbow her way in, and join in the rapid evolutions of the waltz which was going on. Round, round, round she went in a delirium of pleasure, thinking of nothing but the triumph of the moment, for she had as partner the handsomest man in the room. Observing that everybody stared at her, and even the other couples all stopped to gaze, as if spell bound, and attributing the sensation to her own graceful movements, she felt much gratified, and increased her exertions.

Suddenly her partner stopped too, and addressing her very gravely, said, "Madam, I fear you are very ill. Rest one moment here, while I summon Doctor Hargrove, who is in the next room."


Durston, "Giantomastia"' , Wiki Commons
IT GETS BIGGER AND BIGGER

Following the direction of the speaker's eye, the unhappy woman looked down, and discovered that the bosom was swollen to enormous dimensions, and was still rising—still expanding—still getting bigger and bigger. 


Oh! the agony of that moment! She grew crimson, and tried to reach the door, but the room was crowded, the stairs were jammed, and retreat in time seemed impossible.

LAMENTABLE CATASTROPHE

"I am ill—Oh! I am very ill—let me go home?" she implored.

"Take my arm, madam," said an elderly gentleman, who proved to be Doctor Hargrove, "Lean on me—make way, gentlemen —make way, ladies—don't you see the lady is very ill!"

They did see it, they thought she was dying, and, regardless of their delicate ball dresses, tried to make a passage. Some fainted, some went into hysterics, while others came close to examine the preternatural phenomenon.

"Oh, quick, quick, please, quick, quick," prayed the unhappy possessor, seeing the bosom was now swollen nigh to bursting, and was still increasing in size, so that a catastrophe seemed inevitable; and, wild with despair, she battled with those who opposed her progress.

COLLAPSE OF THE BOSOM

Alas, it was too late! Before she had got half way across the room, the patent mammary elevator exploded—the bosom blew up with a loud report, and then, collapsing, shriveled up to nothing!!!

The wretched owner, terrified by the anticipations of exposure, fainted. And well, perhaps, for her was it that she did so before the true nature of the catastrophe was made evident by the withered fiction popping up, like a liberated jack in the box, from the ruins of the lately blooming fiction. The universal and unextinguishable burst of laughter which then arose would have killed her.

The secret of the explosion was this: the artificial bosom had been abstracted, not by any of the servants, but by those two incorrigible practical jokers, Hal Higgins and Sam Spoon. These malicious humourists had introduced into each of the mammary orbs a small quantity of a fluid which has the property of vapourising at a very low temperature. When the ball-room grew crowded, the temperature became sufficiently elevated to cause the ether to commence changing its state to a gaseous fluid, thereby expanding the bosom until the thin India Rubber sides, being no longer able to sustain the tension caused by the liberated gas, were rent asunder with great violence.


"Phyrne", anonymous, Wiki Commons